This book is an attempt to show Merleau-Ponty's phenomenology as a critique on the doubt of the thought that enables the infinity of perception. The book seeks to illustrate how Cézanne's unique color modulations both remove the necessity of the line and Cézanne's doubt of himself, unlike Descartes' Cognito. It explicates how the infinity of perception creates our world of surfaces that science claims are an illusion.

Kategori: Bøger (usorteret)